The Frog & the Nightingale....
so he introduced himself to the
Nightingale as the owner of the tree where she had perched and sung her song.
He also let her know that he was famous all over the bog for his very
deep manly singing voice. aaiming to be a music critic of note, he
added that he wrote a column for the music magazine the 'Bog Trumpet.'
Believing every word of what he said, the
gullible Nightingale was deeply impressed
with him and considered him to be as
great a musician as Mozart (an Austrian composer).
So, when the Frog, as part of his game plan to eliminate her, offered to
train her to sing, she felt happy and readily agreed for it hoping to
be a master musician like him.
Thus her vocal training began. Very talented and inspired by the appreciation of the bog creatures, she sang to
a distinguished audience and
became a huge sensation.
Now onwards,
the Frog started organising her concerts regularly and minted a lot of money. Besides the ticket
money he would also charge money for
training her. He conducted unusually long training sessions for her even in the rainy weather in
which it was not natural for the Nightingale to sing. Ignoring her protests, he asked her to practise even longer and to add more zing and
trills to her songs and • scolded her even for minor mistakes.
Exhausted with
long hours of training, the Nightingale lost the natural charm of her music and became a dull
and boring singer. Consequently,
audience started losing interest in her performance. By now she had become used to singing for the
packed audiences.
Declining numbers at her concert gave her a rude shock for now she
was terribly afraid of failure. Unable to take in the pressure to perform better for 'better billing' and afraid of the Frog's scolding,
she overexerted her vocal cords and burst a vein and died.
Although,
outwardly the Frog did condole her death, inwar,ay was happy that he had got rid of her.
He called the
Nightingale stupid for being so gullible and simple_ minded and accused her of not singing her own original songs just
he did.
Once again The crass cacophony' of the Frog began to blare from the
sumac tree. The Frog once again became the unrivalled singer of the
bog.
RHYME SCHEME
The rhyme
scheme of the poem is as bb cc dd
THEME
The poem highlights the plight of
those gullible people whose simplicity and
credulous nature makes them complete misfits in the world of manipulation. The go-getters elbow their way to the forefront pushing the deserving to the background. The shy
and the timid fail to put their foot down and the dominating and the LI
Imineering go about exploiting them without any sense of remorse or guilt.
TITLE
MESSAGE
n order
to survive in the manipulative world today, it is important to have worldly wisdom. It is only one's individuality and
reasoning that can save one
from getting duped and exploited. One must know one's
limitations and capabilities to be able to decide the course of one's life.
ANNOTATIONS
. Bingle Bog : A wet marshy land called Single. Notice how musical this fictitious name is.
.
dusk to dawn : from late evening till early morning.
. awn : Vikram Seth has invented this word
and uses it in place of 'on' so that it is similar
to dawn both in sound and appearance (aural and
visual rhyme).
.
Other creatures : other inhabitants of the bog.
. loathed : hated, detested
. alas, they had no choice The Frog
continued to sing unmindful of whether others liked his voice or not / The bog
creatures had to put up with cacophony of
the Frog as nothing could silence this uncooperative
creature.
·
crass: stupid,
meaningless.
·
cacophony : confused,
meaningless jarring sound. Here it refers to the harsh, loud and jarring voice of the Frog.
·
blared : blare is loud, irritable and unbearable sound. Here it
means that the Frog sang too loudly.
·
sumac tree : a shrub or tree
having reddish cone shaped fruits used as a
spice in cooking.
·
at whose foot : under which i.e. under
the sumac tree.
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